Interactive Sculpture, Environment & Performance Space
Concept, Design & Direction by Megan Young
Performance by Gregory King & Leila Khoury
This interactive installation and performance piece is presented as a microcosm of our current and trans-historical political climate. It features construction materials – brick, canvas, rope, and repurposed motor – layered against the seemingly invisible technologies of digital surveillance. Bricks are stacked in protective wall or tower arrangements and viewers are invited to deconstruct, rearrange, and rebuild. The space undergoes continuous transformation with shifting boundaries and barriers, but the underlying programming remains consistent. Mechanisms of control prolong a dominance of “whiteness” in the space.
The whiteness presents itself in white painted bricks, theatrical snow, and the light-skinned bodies able to move about the space unimpeded. Whiteness is measured by processing digital surveillance images using custom software; it is maintained through a protectionist system of linear logic and physical computing. The pervasive and compounding micro-aggressions of this chimeric whiteness are a thing of nightmares passing as normal.
The work is activated by viewers and invited performers, including Gregory King and Leila Khoury. Performers source personal history and lived experience to enact rituals of resistance, protection, and defiance. As in life, they negotiate their black and brown bodies within the context of hostile white spaces.
WATCH A FULL (SAMPLE) PERFORMANCE SCORE HERE
Excerpt from The Current Sessions, Installation/Performance (2017)
Materials & Process with Excerpts from SPACES Gallery (2017)
Cloud of Whiteness was originally developed as part of SPACES Gallery, First 100+ Days exhibition curated by Christina Vassallo. The performance score has grown through presentation in The Current Sessions Vol. VII: On Resistance series curated by Alexis Convento. A new iteration will be developed in residence at Connecticut College, Ammerman Center for Arts & Technology with the addition of original prints by collaborative artist Angela Davis Fegan.
This work utilizes camera vision techniques via an installed surveillance camera and Max MSP processing of data activating a motor/pulley system. The pulley agitates a sculptural mini- snow cradle, releasing theatrical snow into the installation space. The handmade red clay bricks have been salvaged from a century home in Cleveland, OH.
Documentation Credits: Jacob Hiss, Alec Miller, Darice Polo, Evan Prunty, Ron Shelton